Every Note Played Lisa Genova (2018)
Lisa Genova, who holds a PhD in neuroscience, writes novels that illuminate neurological diseases. Her 2007 offering, Still Alice, told the story of a 50-year-old Harvard professor who suffered from early-onset Alzheimer’s Disease. In her 2018 Every Note Played, Genova gives us the fictional Richard Evans, a world-renowned classical pianist who develops ALS (sometimes known as Lou Gehrig’s Disease), which destroys the neurons that control voluntary muscles. Genova takes the reader through the progression of Richard’s ALS over a period of a little more than a year, detailing the difficult medical decisions that he must make along the way. Even more significantly, Richard has to come to terms with the forced ending of his musical career and with his troubled relationships with his ex-wife, Karina; his college-age daughter; and his father, who never valued Richard’s musical talent. As Richard becomes increasingly helpless, Karina ends up, reluctantly, caring for him in her home. Genova depicts the stresses both on the patient and on his family and friends in painful detail, but the novel doesn’t become solely a case study in ALS. It stands on its own merits as a work of fiction about self-awareness, reconciliation, and forgiveness.
In the Midst of Winter Isabel Allende (2017) Translated from the Spanish by Nick Caistor and Amanda Hopkinson
Three people with vastly different life stories come together during a blizzard in New York City in 2016. The car of Richard Bowmaster, a sixty-something American prof, slides into a car driven by Evelyn Ortega, a twenty-something undocumented immigrant from Guatemala. The resulting minor auto damage brings to light a murder and brings into the drama the character of Lucia Maraz, a sixty-something academic from Chile who is teaching in New York for the year. Each of these three has a tumultuous past, which is recounted in flashbacks as the murder mystery unfolds in present time. The narrative here is somewhat disjointed, and the mystery is transparent, but Allende’s mastery of language and dialogue, even in translation, is apparent. For an Allende novel that I consider superior to In the Midst of Winter, try reading The Japanese Lover.
The Only Story Julian Barnes (2018)
This is an elegant, nostalgic, gloomy novel, in three sections. The first section, recounted in first person by the protagonist, Paul, is the story of the early days of a love affair between the 19-year-old Paul and the 48-year-old Susan. They meet at a tennis club in a town south of London in the early 1960s. In the second section, mostly in second person narration, Paul and Susan are living together in London, and their affair is not going well (read: boy, is this depressing). The third section, in third person, is a lengthy retrospective exploration of the nature of love, with a few narrative strands about Paul’s middle and older years. Barnes touches on the debate between inevitability and free will and probes the correlation between strength of feeling and degree of happiness. Throughout, the prose is refined and masterful, as you would expect from the author of the Booker-Prize winning The Sense of an Ending (2011) and many other novels. But if you pick up The Only Story, don’t expect a tidy wrap-up. Oh, and just what is “the only story”? Love. Love is the only story, and it’s infinitely complex.
